NATURALISTIC! UNCANNY! MARVELOUS!
A blog devoted to sorting out the phenomenology of film.
Tuesday, December 20, 2022
FENOMENAL AND THE TREASURE OF TUTANKHAMEN (1968)
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PHENOMENALITY: *uncanny* MYTHICITY: *poor* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *sociological* I noted in my review of HERCULE...
Sunday, December 18, 2022
SANTO VS. BARON BRAKOLA (1965)
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PHENOMENALITY: *marvelous* MYTHICITY: *poor* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *psychological* As the lobby card above show...
HAPPY HALLOWEEN, SCOOBY DOO (2020)
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PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *metaphysical, psychological* Though a lot of t...
Friday, December 16, 2022
KRIMINAL (1966), THE MARK OF KRIMINAL (1967)
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PHENOMENALITY: *uncanny* MYTHICITY: *poor* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *sociological* In my review of SUPERARGO VS. D...
Thursday, December 15, 2022
SUPERARGO VS. DIABOLICUS (1966)
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PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *psychological* I may have seen the two ...
SCOOBY DOO: RETURN TO ZOMBIE ISLAND (2019)
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PHENOMENALITY: *marvelous* MYTHICITY: *poor* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *psychological* Back in 1998 the DTV film SCOOB...
THE TWO CRAZY SECRET AGENTS (1965)
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PHENOMENALITY: *marvelous* MYTHICITY: *poor* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *sociological* The above title is the one attac...
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