NATURALISTIC! UNCANNY! MARVELOUS!
A blog devoted to sorting out the phenomenology of film.
Monday, July 28, 2014
FEARLESS FRANK (1967)
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PHENOMENALITY: *marvelous* MYTHICITY: *poor* FRYEAN MYTHOS: *irony* CAMPBELLIAN FUNCTIONS: *psychological* FEARLESS FRANK is an un...
Sunday, July 27, 2014
HAVE ROCKET WILL TRAVEL (1959)
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PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *psychological* HAVE ROCKET WILL TRAVEL...
Wednesday, July 23, 2014
HANNIBAL: SEASON 1 (2013)
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In an essay I wrote for my blog ARCHETYPAL ARCHIVE, I recorded these early thoughts on the series: The 2013 teleseries HANNIBAL-- wh...
JANE AND THE LOST CITY (1987)
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PHENOMENALITY: *uncanny* MYTHICITY: *fair* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *sociological* I've seen only three...
Monday, July 21, 2014
BELA LUGOSI MEETS A BROOKLYN GORILLA (1952)
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PHENOMENALITY: *uncanny* MYTHICITY: *poor* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTIONS: *psychological* Despite the high billin...
Friday, July 18, 2014
THE WONDERS OF ALADDIN (1961), THE COURT JESTER (1955)
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PHENOMENALITY: (1) *marvelous,* (2) *uncanny* MYTHICITY: (1) *poor,* (2) *good* FRYEAN MYTHOS: *comedy* CAMPBELLIAN FUNCTION: *psyc...
Friday, July 11, 2014
MURDERS IN THE RUE MORGUE (1932), MAN MADE MONSTER (1941)
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PHENOMENALITY: (1) *uncanny,* (2) *marvelous* MYTHICITY: (1) *fair,* (2) *poor* FRYEAN MYTHOS: *drama * CAMPBELLIAN FUNCTION: *psych...
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