NATURALISTIC! UNCANNY! MARVELOUS!
A blog devoted to sorting out the phenomenology of film.
Friday, March 1, 2019
KING OF THE JUNGLE (1933)
›
PHENOMENALITY: *uncanny* MYTHICITY: *fair* FRYEAN MYTHOS: *drama* CAMPBELLIAN FUNCTIONS: *psychological, sociological* One year af...
THE VAMPIRE AND THE BALLERINA (1960)
›
PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *drama* CAMPBELLIAN FUNCTIONS: *metaphysical, sociological* When I rec...
Wednesday, February 27, 2019
FANTOMAS (1913-14)
›
PHENOMENALITY: *uncanny* MYTHICITY: *fair* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTIONS: *sociological* Having finally read th...
Thursday, February 21, 2019
ALADDIN AND HIS LAMP (1952)
›
PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *metaphysical, psychological* Though...
Wednesday, February 20, 2019
SUICIDE SQUAD: HELL TO PAY (2018), BATMAN AND HARLEY QUINN (2017)
›
PHENOMENALITY: *marvelous* MYTHICITY: *fair* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *metaphysical, sociological* Whatev...
SHIN GODZILLA (2016)
›
PHENOMENALITY: *marvelous* MYTHICITY: *good* FRYEAN MYTHOS: *drama* CAMPBELLIAN FUNCTIONS: *cosmological, sociological* My viscera...
Tuesday, February 19, 2019
THIEF OF DAMASCUS (1952)
›
PHENOMENALITY: *marvelous* MYTHICITY: *poor* FRYEAN MYTHOS: *adventure* CAMPBELLIAN FUNCTION: *sociological* Most of the "Ara...
‹
›
Home
View web version
