While this film's alternate title NUN OF THAT was accurate in describing its wacky comical nature, I like SISTER WRATH better. While there have been a smattering of straightforward adventure-stories featuring vengeful nuns, the idea of undercutting the "merciful" association of nuns to make them into vessels of God's wrath carries its own vibe of absurdity.
In fact, nearly no one in director/co-scripter's Richard Griffin's world of crazy Catholics could strain the quality of mercy if their lives depended on it. The Church maintains a cadre of killer hit-nuns-- no word as to why there don't seem to be any male assassins-- and cheerfully sends them out to knock off sinners, primarily hardcore gangsters. But at the start of the movie, the nuns lose one of their number, so they need a replacement.
Sister Kelly (Sarah Nicklin) is getting called on the carpet by Mother Superior for having beaten up a pedophile priest-- who foolishly shows up to see Kelly drummed out and gets pounded on by Kelly some more. Kelly is transferred to a new diocese, but as soon as she gets there, three gun-toting nuns show up and ventilate Kelly's penguin outfit, with her in it.
Surprise: Kelly ends up in Heaven, where she's expected to become one of God's holy hitwomen. Getting shot dead is like an initiation ceremony, and it means that she can once more descend to Earth, in a mortal body, and start knocking off cannoli-munching Mafioso. Only one problem: if Kelly-- now dubbed Sister Wrath-- gets killed a second time, it's for good. Kelly also learns that ascending to Heaven also has special perks, for being a "bride of Christ" means becoming part of the Heavenly Savior's own private harem. (To be sure, we don't see "Jesus" having sex with any of the hot nuns; presumably Griffin wasn't willing to get quite that crazy.)
So on Earth Kelly is joined by Sisters Gluttony, Lust and Pride, and they start violently gunning down Italian gangsters. Local capo Momma Rizzo sets a killer to catch a killer, and a Jew to take down the Brides of Christ: one "Viper Goldstein." Viper's presence allows Griffin to take a rest from Catholic jokes in favor of Jewish ones, but no one could be offended as this sort of over-the-top nonsense. Many jokes fall flat and a fair number work okay, but the funniest moment is when the Killer Nuns get assistance from whoever was Pope in 2008. Perhaps Griffin signaled his cinematic inspiration for this movie, with its balls-to-the-wall gunplay and frequent fistfights, by having the papal eminence played by Lloyd Kaufman of TROMA fame.
WRATH is episodic and simplistic, but unlike a lot of "so bad they're good" poser-flicks, this one at least has a good level of energy.

No comments:
Post a Comment