PHENOMENALITY: *marvelous*
MYTHICITY: *fair*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTIONS: *psychological, sociological*
Here’s another all-original tale,
though writer Leslie H. Martinson—who would direct the BATMAN
feature later than same year-- probably took some influence from
various comics-stories about Penguin appearing to reform.
It’s not clear whether the Birdman
Bandit is out on parole or he’s served a full prison sentence, but
now he’s mixing with the elite of society. He also short-circuits
any consideration of his criminal past by publicly foiling several
supposedly unrelated robberies. The heroes and their cop-confidants
are reasonably sure that Penguin set up the crimes to make himself
look good, particularly in the eyes of one beautiful lady of high
society, Sophia Starr. But the lawmen can’t make Penguin’s
stooges talk, not even when Batman himself tries to spook the crook
by flapping his cape around in the darkness. I’m not sure if the
show’s makers knew that this flummery would look absurd, or if they
were just trying to duplicate similar scenes in the comics.
Penguiin not only gains the confidence
of the wealthy, he starts his own detective agency, staffed with his
usual plug-uglies. Batman and Robin initially try to learn his plans
by having Alfred bug the villain’s cigarette-holder, but this
gambit fails, just as did a similar attempt in “Fine Feathered
Finks,” and Alfred is lucky to escape capture and interrogation.
The heroes make an ill-advised attempt to lay a trap for Penguin, but
he turns the tables on them, accusing them of attempted robbery. The
heroes’ staunch cop allies are forced to put out a warrant for the
crusaders’ arrest.
After making another sally against
Penguin, apparently just for a chance to slug him again, the heroes
follow him to another charity event. Penguin mousetraps them and sets
them up in a doom-trap probably swiped from an old “Sherlock
Holmes” movie, but the heroes manage to foil the trap with their
bulletproof shoe-soles. (This gains a little more credibility, given
that an early scene has the heroes discussing the bulletproofing on
the Batmobile.) At some point, Batman evidently sets up a sting with
Commissioner Gordon, for the heroes appear to be shot dead in the
streets by police. It’s a ruse, of course, so that the crusaders
can more ably monitor the Penguin’s actions—one of which includes
swiping the Batmobile from its supposedly dead owners.
Though Penguin has become engaged to
Sophia Starr, his only motive is to get all of her rich friends to
donate expensive wedding-presents, which he will then steal, while
leaving Sophia at the altar. He pulls off the crime and uses the
Batmobile as a getaway car. Batman and Robin take control of the
super-car remotely and torment their adversary a bit before taking
him in. A coda shows the foolish society-woman still wanting to marry
Penguin, who prefers prison to married bliss.
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