Sunday, August 16, 2020

BATMAN: “THE SPELL OF TUT” (1966)



PHENOMENALITY: *marvelous*
MYTHICITY: *good*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTIONS: *psychological, sociological*


The creators of Tut return for his second outing, a distinct improvement over “The Curse of Tut.” In that episode, the demented would-be pharaoh had a very confused scheme to eliminate the Duo and to take over Gotham City somehow, in part by posing as a rejuvenated mummy. This time, though, Tut has a genuine world-beating plot, again involving the idea of Egyptian resurrection. Tut’s thugs break into a museum but steal nothing but a necklace of amber beads. Batman, however, deduces that the beads contained scarab beeteles, perfectly preserved for centuries—and that the juice in the beetles’ bodies can be used to brew a unique mind-controlling potion. At last Tut has a weapon that could literally reduce Gothamites to the status of worshipping acolytes.

The deathtrap this time round is just fair, and Tut doesn’t even precisely execute it, since Robin, rashly fighting Tut’s gang on his own, blunders into a room where the phony pharaoh keeps a pool full of crocodiles. Batman helps his partner escape, but neither hero can keep Tut from using his potion to take control of such luminaries as Commissioner Gordon and Chief O’Hara. As in the previous King Tut tale, the clever Caped Crusader finds a way to fake being under “the spell of Tut,” and to bring him to justice—just before he once more reverts to normalcy.

Victor Buono appears to have even more fun with Tut than he did before, wailing like a big baby when he thinks his experiment has failed, and then weeping copiously over being forced to kill his precious scarabs to make the potion. Like many villains before him, his comely moll—a lady named “Cleo Patrick”—irks Tut by swooning over Batman again, though this time nothing much comes of Batman’s power over feminine hearts.


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